The leather is cracking, and the gold flecking off of its pages. The images inside are time capsules. Staring at their faces I search for some resemblance that reappears in my mother or my brothers or me or my children. Someone on Ceylon Lane, Post Office Carmichaels, Pennsylvania, bought this richly tooled leather album in the late 1800s. Its heavy card stock pages were cut precisely to hold 4½ by 6½ cabinet card photographs. She–and I only say she because it is this she who constructs family albums today–she did not do me the favor of identifying these people. I just have clues in the photographers’ names and studio locations. Hairstyles and jewelry, the cut of a bodice, the width of a lapel, all hint at a timeframe. Then, like a sleuthhound, I pick up the scent, looking through all the shoots and roots and leaves of my family tree. Because I do believe that these men, women and children are my family.
Some days ago, I slipped on my descent from a rock outcrop, and landed with enough force to break my leg. Damn the bear that knocked down the bird feeder that I ridiculously had to right before the dew-soaked lichen had dried.
On a positive note, a broken anything reduces your world to essentials and not having to make so many damn choices is almost liberating. Almost. I would prefer to have full locomotion, but I will settle for a schedule that insists that I live this side of the cast, to my fullest.
With that end in mind, I practice yoga with each hobbled step I take, and engage in laugh therapy regularly throughout the day. And take time to see. my. limited. world.
These images feature what I saw, felt, loved, from this side of the cast today.
A road winding through the hilly farms of 1910 Greene County, Pennsylvania was likely to be pitted and ice pocked in late February. Nevertheless, birthdays, particularly of beloved grandpas, required festive acknowledgements. The Ruse family decided to let the mail do the travelling for Christopher’s seventy-third birthday, and, via USPS, invited young and old to shower the elderly carpenter with celebratory wishes. Seven-year-old Donald Minor, my grandfather, received an invitation from Chris Ruse’s granddaughter, Helen E.
Dear Donald, We are having a surprise Postcard shower for Grandpa Ruse on March 13. We want all of you to send a card and to tell everyone you see that knows him.
The adult who formed each cursive letter for Helen conveyed more than a mere request. On the front of the postcard greeting was a reproduction of an early twentieth century print, A Raise in the South. In the scene, nine southern black men are gathered in a smoky, windowless room around a large table, mid-way through a hand of poker. I suppose the cartoonish characters were meant to be child-appropriate and the title a clever play on the word “raise,” but a larger lesson was truly being dealt.
The Lost Cause interpretation of the Civil War and Reconstruction had become firmly lodged in the national psyche by 1910, guiding the country’s sectional reunion. According to this historiography, the war was fought by valiant white men, Yankee and Rebel, for the cause of liberty. Emancipation of slaves had not been a wise move; African-Americans needed –and desired–the paternal governance of the superior white race. Tossed from memory were tales of black heroism and self-efficacy. What lingered were caricatures of idleness and incompetence, portraits of black men seeing raises within the context of a game, not within the framework of gainful employment.
The birthday invitation from one child to another was an early lesson in the state of race relations within the country Don and Helen would inherit. Insidiously, cartoon postcards planted doubt and fear, which in turn sprouted justifications for the South’s use of murder, segregation, and disenfranchisement of black Americans in the effort to re-establish a country of white men, governed by white men.
Far from comic, A Raise in the South, is a chilling reminder of mass media’s influence on public memory.
Yellowed from one hundred eighty-four years, the paper unfolds with a pungent, almost yeasty smell. Ink, now walnut brown, spreads line after line across the long, creased sheet. When pen touched this page, the roads west of Pennsylvania’s Allegheny Mountains were detestable. Neither railroad nor canal connected Greene County stock and crops to eastern metropolitan markets. Small farms dotted the hilly landscape and residents interacted with the same folks day after day after day. And yet my collection of family papers holds numerous examples of memoranda and receipts that clarify and testify to verbal contracts. The key to a prosperous and self-sustaining community, it seems, was documented communication.
The language of this Article of Agreement is rooted in the law. Though it names the parties as John P(ierson) Minor, my great-great-great-grandfather, and James McFarland, house joiner, it is unclear whether either man actually wrote this document on 22 February 1831. But someone in the Garards Fort area knew how to construct a legal-like agreement for a home renovation project on the “brick house formerly occupied by Jacob Myers.”
John P Minor stipulated that James work on site for the coming year, laying “plowed and grooved” floors upstairs and down, partitioning each floor into three rooms, and building sashes for all the windows. Mr. McFarland was to “run up two pairs of stairs in the dwelling house” and one “outside on the porch.” Cupboards were to be built in every conceivable space. To accomplish this work in a time-effective manner, James was to be lodged by the Minors, thus saving everyone from the headaches of a daily commute from neighboring Cumberland Township. John P. was to “furnish bords (sic) glass hinges door laches (sic) nails and all the necessary materials for finishing the same” and pay James upon “the true and faithful performance” of this renovation three hundred dollars cash.
There is neither codicil to indicate the project’s completion nor receipt of payment among my Minor collection. Yet the work must have been satisfactorily completed and the home occupied, for in his will John P leaves “unto my son, Francis Marion, the tract of land whereon he and I reside, known as the ‘Myers Farm’ containing three hundred twenty-nine acres more or less.”
But… why was this agreement preserved, first by John P and later by son, Marion?
John P and Isabella McClelland* Minor set up housekeeping within the boundaries of her father’s farm. Four children later, the couple had the resources to purchase a piece of Robert McClelland’s land, which abutted property of Jacob and Mary Corbly Myers. As neighbors and fellow congregants of Goshen Baptist Church, John and Isabella would have had many opportunities to hear of the Myers’ impending migration to Clear Creek, Ohio in the early spring of 1829. The township’s loss of the Myers’ family was to be a Minor’s gain of prime farm land. John P speculated in land throughout his life, accumulating acres in Pennsylvania, Missouri, West Virginia, and Iowa, but he, himself, remained at the home farm, the Myers’ farm, “enclosing his happiness within his horizons.”**
Marion, my great-great-grandfather, was just starting to pull up and toddle after his seven older siblings in 1829 when the farm was purchased, and just beginning to take on farm chores when the brick house was finally occupied by his mom, dad, and siblings, Abia, Robert, Hannah, Mary Anna, Margaret, Rebecca, Samuel, and Isabelle. For all intents and purposes, this was the only home that Marion ever knew, and this carefully preserved record of the 1831 renovation may have given Marion a sense of grounding, or prompted memories of childhood, or provided evidence of just how far the family had progressed in his lifetime.
The brick house, formerly occupied by Jacob Myers, became home, and the hills against which it nestled became a legacy, passing from father to son to grandson to great-grandson.
“…unto my son, Francis Marion, the tract of land whereon he and I reside, known as the ‘Myers Farm’ containing three hundred twenty-nine acres more or less.”
“to my son, Robert Minor, my home farm, situated in Greene Township, Greene County, Pennsylvania containing three hundred acres more or less.”
“unto my son, Donald C. Minor, the farm on which he now (February 1938) resides, known as the Home Farm, containing approximately three hundred forty acres…”
A legacy that heard my mother’s laughter, sheltered her dog-grieving sobs, embraced her valedictory success, and witnessed the cutting of her wedding cake. This is the house that Jacob built, formerly occupied by the Myers family…and stuffed to the rafters with Minor hopes, dreams, and love.
*John first married Hannah McClelland in 1814. She died shortly after giving birth to their second boy in the spring of 1817, and John married her sister, Isabella, later that year.
**Alex de Toqueville made this observation of the German immigrants in eastern Pennsylvania, during his 1831 trip through America.
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