The Minor Family Album: Mr. Chin Whiskers

 

Mr. Chin Whiskers

When I first became curator of the Minor Family Album, I moved swiftly to identify this man, the first face to appear in the album. I was soooo certain of my clues and my analysis.

  1. This whiskered gent is the first photograph displayed in a Minor Family album created in the latter part of the 19th century. He must be an important family member. A patriarch.
  2. Thomas W. Rogers, the photographer, opened a studio in Carmichaels, Pennsylvania, in 1864 that remained in existence through the turn of the century. Thomas took the photograph of this ancestor.
  3. The cabinet photo’s cardstock is an ivory color, with round corners, and medium weight.  According to internet sources, this description dates the card to between 1869-1875.
Digging into the family’s tree, I determined that the one Minor living near Carmichaels, Pennsylvania in the early 1870s old enough to present this image was none other than our patriarch, John Pearson (Pierson) Minor, 1791-1874.  I proudly announced my conclusion to the world in this blog.*

WHAT A ROOKIE!!!

Time has passed, my skill set has expanded, newly discovered cousins have shared their treasures, and I have eaten a very, VERY large piece of humble pie.  In other words, I MUST retract my earlier identification.

Starting over I apply the procedures learned from THE photo detective, Maureen A. Taylor, author of Family Photo Detective, Fashionable Folks Bonnets and Hats, Fashionable Folks Hairstyles, as well as, a wonderful blog on the subject.

This photograph is a paper print on a 4½ x 6½ inch ivory colored cardstock, with rounded corners.  The photographer’s name and studio location–Thomas W. Rogers, Carmichaels, Pennsylvania–appear only at the bottom of the photo.  There is no design or notation on the back.  This portrait is an example of a cabinet card, most like created between 1869-1875.

Next I view the print with an eye for internal clues.  The man is seated in front of a dark backdrop.  White dots indicate that this photograph may be a photo of a photo–that the original photograph was on a surface like glass or tin, and that the photo’s chemicals flecked off with time.  In the upper left hand corner there appears to be a curvature of the backdrop, as if the original photograph was in an oval shape.

Snag it of Mr. Chin Whiskers.

 

The man is sporting a full beard, trimmed tight about his ears and mouth.  Beards were not popular until the mid-late 1850s, and were worn by a generation of men until the late 1800s.  The man has a full head of gray hair, worn long over his ears, and parted on the side.  It does not appear to be greased down.

The shot captures the fellow from the chest up, and his beard hides the neckline.  But the coat appears to be loose fitting, with a fairly wide lapel.  The vest is of a different material and the top button is at the height of the coat’s top button, mid-chest.

These internal clues indicate a timeframe between the late 1850s and the late 1860s.

The man himself appears to be between 55 and 70 years old. And sick.

SO NOW WHAT?

Back to the stories, the roots, shoots, and leaves of this Minor Family tree.  And let’s just suppose that I am looking for a male family member who would have been between 55-70 years of age in the late 1850s to the mid 1860s.

So, patriarch Abia was dead by 1834. Francis Marion and his brothers would have been too young to be the photographed dude. That leaves a closer examination of John P., Samuel, and Asa, all of whom would have been alive in the late 1850s and at least 60 years old.

MORE CLUES SURFACE

Cousin Ron Minor has generously shared a digital image, a photograph of a tintype, which was annotated with identification.

Minor Elders Collage

The man  identified as John P. Minor (shown here on the left) has a higher forehead, and a thinner face.  The eyebrows are not the same shape, and the hair appears to be thinner.  Mr. Chin Whiskers is not John P. Minor.

A photograph of Samuel Minor found on the website Ancestry.com bears a strong resemblance to John P., a high forehead, with gray hair thinning at the brow. Samuel’s eyes are deeper set than those of my Mr. Chin Whiskers.

Is this ASA?

More clues to come…

 

*I have since removed that original post because of the improper identification, AND because people were taking the misidentified photograph and posting to ancestry.com without my permission.  If you see something that you would like to share, please ask me about it.  

The Minor Family Album–Provenance

 

The tooled leather volume resembles a family bible, ornamented by the addition of a bronze latch. The heavy cardstock pages are cut out in the middle allowing for two cabinet cards to be displayed, back to back.  A thick gold line frames each photograph.  Buckled into the Minor Album are twenty-eight portraits taken between 1860-1900.

JUST WHAT DO I HAVE HERE?

Minor Photo Album Title Page

THIS is the title page.  Gorgeous!!  Right?

MEH.  I want story.  Story comes from details.

Let’s start with the known.  The album was recovered by my mother from the attic of the farmhouse in which she grew up.  In which her father grew up. In which her grandfather and his father grew up.  From the attic of the Minor Home Farm on Ceylon Lane, purchased by John Pearson Minor circa 1830.  Just who, then, might have purchased the album and slipped the cabinet cards into place?

She did it.  

My mother’s father’s grandmother, Mary Jane Gwynne Minor.

Women of the Victorian era were associated with the collection of family memorabilia and its display; photograph albums were part of this creative work.  Mary Jane was the woman of Ceylon Lane, the mom of the Minor Home Farm, during the period that this album was filled.

This hypothesis has been strengthened by my work comparing other labeled photographs in my collection  with those that I am finding inside the album.  I have identified several images as members of the Mary Jane and Francis Marion Minor Family.

My sleuthing adventures begin with this hypothesis–the cabinet cards of the Minor Family Album belonged to Mary Jane and Marion Minor, and represent members of their immediate and extended family.

Next post–  Mr. Chin Whiskers is revealed.

 

 

Family Portrait taken by T W Rogers, Carmichaels, Pennsylvania, circa 1874.  Standing: Sarah, John P., Olfred Minor.  Seated: Mary Jane Gwynn and Francis Marion Minor.  Standing front: Robert Minor (b. 1869) Photo recovered from Minor Home Farm circa 1965

Family Portrait taken by T W Rogers, Carmichaels, Pennsylvania, circa 1874. Standing: Sarah, John P., Olfred Minor. Seated: Mary Jane Gwynn and Francis Marion Minor. Standing front: Robert Minor (b. 1869) Photo recovered from Minor Home Farm circa 1965

 

 

The Adventures Of A Photo Sleuth: The Minor Family Album

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Minor Photo Album Latch

The leather is cracking, and the gold flecking off of its pages. The images inside are time capsules.  Staring at their faces I search for some resemblance that reappears in my mother or my brothers or me or my children.  Someone on Ceylon Lane, Post Office Carmichaels, Pennsylvania, bought this richly tooled leather album in the late 1800s.  Its heavy card stock pages were cut precisely to hold 4½ by 6½ cabinet card photographs. She–and I only say she because it is this she who constructs family albums today–she did not do me the favor of identifying these people.  I just have clues in the photographers’ names and studio locations.  Hairstyles and jewelry, the cut of a bodice, the width of a lapel, all hint at a timeframe.  Then, like a sleuthhound, I pick up the scent, looking through all the shoots and roots and leaves of my family tree.  Because I do believe that these men, women and children are my family.

For the next little while I will be writing about my discoveries: the mysteries solved, the wild goose chases, and the tips and tricks collected along the way. Join me as I unlock the secrets of the Minor Family Album.

1.  Provenance

2. Page One: Mr. Chin Whiskers

3. Mr. Chin Whiskers, continued

4. Pages two, three and four

5. Page five: The marriage of Robert and May

6. Crossing Paths With More Strangers

7. Windows to My Past

8. Women Folk I Know

9. Taylor is the New Greene

10. For Marion

11. On Court Avenue

12. Resembling the Past

13. Grand Uncle Posed For His Portrait

14. Dashing Great-grandfather, Robert Minor

15.  Unknown Woman in Day Cap

16. Trio Incognito

17. Photo As Fashion Plate

18. The Final Pages, here, here, and here.

19. The One I Know

I Miss My Mother

Today is the anniversary of my mother’s birth, the first March 27th I haven’t made a call, or sent a card, or prepared a surprise.  Motherless.  No matter how complicated or difficult the relationship, the mother-daughter bond is irreplaceable.  Irreducible.

We are all just bits of love.”  ~~ Marilyn Minor Strickland

 

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A Well Dressed Woman: (almost) wordless wednesday

One in a set of three photographs taken by Trinidad, Colorado photographer, Oliver Eugene Aultman, in 1890 and sent to the Marion and Mary Jane Gwynne Minor Family. Located in the Minor Photograph Album, archived with author.

The West Building, site of the first Aultman StudioOne hundred and twenty-four years ago Oliver E. Aultman welcomed a well dressed woman and her family to his newly opened third floor gallery in the West Building, the “finest (photography studio) of its size west of Chicago” according to the local papers. Trinidad, Colorado was a booming town in 1890, supporting the surrounding mining communities and business ventures.  This family arrived in their finest clothes, the father and eldest son dressed in matching plaid three-piece suits, their patterned silk ties neatly knotted at their throats.  The younger boy, not old enough for his own suit, wore his best pleated wool coat, with a complimentary bow tie.  The two girls wore matching dresses, with ruffled shoulders and loose fitting bodices.  The mother wore a dark dress, with a pleated bodice and ruffled shoulders, decorated with elaborate applique and a small locket.  Her hair was swept back in a low bun, with short bangs and a bit of curl.

Aultman Ad 1892 Trinidad DirectoryOliver Aultman composed several shots of the family; the adults were placed in separate poses empty of props or backdrops, and the children were grouped on some bales of hay, casually placed in front of a subtle bamboo-patterned panel.  After the shoot, the young photographer and the parents discussed the viewing of proofs; the glass negatives were placed in envelopes and labeled S.A. Stephens in pencil.  Sometime later the final portraits were selected, copies made and distributed to friends and family, including the family of Francis Marion and Mary Jane Gwynn Minor, of Garards Fort, Pennsylvania.  Who was S. A. Stephens?  Is that the name of the father?  Of the mother, the well dressed woman?  Or is it the name of the person who contracted for the sitting?  And how is S. A. Stephens and the well dressed family related to the Minors of Ceylon Lane, Garards Fort, Pennsylvania?? 

Accepting all hints and recommendations for further investigation!!  Stay tuned…

Click on the images below to view these photographs more closely.