The Minor Family Album: Continuing The Search for Mr. Chin Whisker’s Identity

Mr. Chin WhiskersMy last post contained a LOT of information about the face that greets me when I open the Minor Family Album.  Mr. Chin Whiskers was originally thought to be our family patriarch, John Pearson (Pierson) Minor, but that hypothesis was thrown out when a cousin shared copy of a labeled tintype of John P. Minor.  My image and his image were NOT of the same person.  Continuing my search within the Minor family tree, I compared my image to another image of a known Minor, Samuel Minor, who was John P’s brother.  These two images were not of the same person.  I left the post dangling the idea that perhaps my image is of a third brother, Asa.

Is this bearded man Asa Minor?

Among my family artifacts are documents and letters found in an old leather satchel, retrieved from the Minor Home Farm long ago by my mother.  Included in this treasure trove are letters from Asa Minor to his brother, John P.  (You can read more about this exchange here.) These papers establish that the brothers kept in touch, and presumably John’s children would have known of their uncle.

The 1860 US Federal Mortality Schedule tells us that Asa died in January of that year, succumbing to consumption from which he had suffered for nine months.  His wife continued to live on the farm in Deerfield Township, Warren County, Ohio.

So, Asa kept in touch with John.  Asa was alive in the 1850s when everybody with a bit of money could get a photograph made.

That is all we really know.

Could this photograph be Asa?  If I can confirm that the TW Rogers took a photo of a photo and if I can confirm that the man’s clothing is typical of the late 1850s, then I could feel a wee bit of confidence in that identification hypothesis.

For now…

I turn to the blogosphere, to photo detectives, to descendants of Asa Minor–what do YOU think?

  • What timeframe does the jacket, vest and beard suggest to you?
  • Are there other copies of this photograph out there, LABELED?
  • Are there other photographs of Asa out there?

Of course there are other possibilities…

What if this is a member of Mary Jane Gwynne’s family?  I don’t have much research to document her family, other than her father, Alfred, died in 1835.  And until I can narrow down the timeframe for the photograph, original or copied, then I can’t really narrow down which male family members this might be!!

And so I conclude this post as mystified as I began.  The whiskered man begs to tell a story.  For now, the story will have to remain untold.

Mr. Chin Whiskers

 

 

 

 

The Minor Family Album: Mr. Chin Whiskers

 

Mr. Chin Whiskers

When I first became curator of the Minor Family Album, I moved swiftly to identify this man, the first face to appear in the album. I was soooo certain of my clues and my analysis.

  1. This whiskered gent is the first photograph displayed in a Minor Family album created in the latter part of the 19th century. He must be an important family member. A patriarch.
  2. Thomas W. Rogers, the photographer, opened a studio in Carmichaels, Pennsylvania, in 1864 that remained in existence through the turn of the century. Thomas took the photograph of this ancestor.
  3. The cabinet photo’s cardstock is an ivory color, with round corners, and medium weight.  According to internet sources, this description dates the card to between 1869-1875.

Digging into the family’s tree, I determined that the one Minor living near Carmichaels, Pennsylvania in the early 1870s old enough to present this image was none other than our patriarch, John Pearson (Pierson) Minor, 1791-1874.  I proudly announced my conclusion to the world here.

WHAT A ROOKIE!!!

Time has passed, my skill set has expanded, newly discovered cousins have shared their treasures, and I have eaten a very, VERY large piece of humble pie.  In other words, I MUST retract my earlier identification.

Starting over I apply the procedures learned from THE photo detective, Maureen A. Taylor, author of Family Photo Detective, Fashionable Folks Bonnets and Hats, Fashionable Folks Hairstyles, as well as, a wonderful blog on the subject.

This photograph is a paper print on a 4½ x 6½ inch ivory colored cardstock, with rounded corners.  The photographer’s name and studio location–Thomas W. Rogers, Carmichaels, Pennsylvania–appear only at the bottom of the photo.  There is no design or notation on the back.  This portrait is an example of a cabinet card, most like created between 1869-1875.

Next I view the print with an eye for internal clues.  The man is seated in front of a dark backdrop.  White dots indicate that this photograph may be a photo of a photo–that the original photograph was on a surface like glass or tin, and that the photo’s chemicals flecked off with time.  In the upper left hand corner there appears to be a curvature of the backdrop, as if the original photograph was in an oval shape.

Snag it of Mr. Chin Whiskers.

 

The man is sporting a full beard, trimmed tight about his ears and mouth.  Beards were not popular until the mid-late 1850s, and were worn by a generation of men until the late 1800s.  The man has a full head of gray hair, worn long over his ears, and parted on the side.  It does not appear to be greased down.

The shot captures the fellow from the chest up, and his beard hides the neckline.  But the coat appears to be loose fitting, with a fairly wide lapel.  The vest is of a different material and the top button is at the height of the coat’s top button, mid-chest.

These internal clues indicate a timeframe between the late 1850s and the late 1860s.

The man himself appears to be between 55 and 70 years old. And sick.

SO NOW WHAT?

Back to the stories, the roots, shoots, and leaves of this Minor Family tree.  And let’s just suppose that I am looking for a male family member who would have been between 55-70 years of age in the late 1850s to the mid 1860s.

So, patriarch Abia was dead by 1834. Francis Marion and his brothers would have been too young to be the photographed dude. That leaves a closer examination of John P., Samuel, and Asa, all of whom would have been alive in the late 1850s and at least 60 years old.

MORE CLUES SURFACE

Cousin Ron Minor has generously shared a digital image, a photograph of a tintype, which was annotated with identification.

Minor Elders Collage

The man  identified as John P. Minor (shown here on the left) has a higher forehead, and a thinner face.  The eyebrows are not the same shape, and the hair appears to be thinner.  Mr. Chin Whiskers is not John P. Minor.

A photograph of Samuel Minor found on the website Ancestry.com bears a strong resemblance to John P., a high forehead, with gray hair thinning at the brow. Samuel’s eyes are deeper set than those of my Mr. Chin Whiskers.

Is this ASA?

More clues to come…

The Adventures Of A Photo Sleuth: The Minor Family Album

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Minor Photo Album Latch

The leather is cracking, and the gold flecking off of its pages. The images inside are time capsules.  Staring at their faces I search for some resemblance that reappears in my mother or my brothers or me or my children.  Someone on Ceylon Lane, Post Office Carmichaels, Pennsylvania, bought this richly tooled leather album in the late 1800s.  Its heavy card stock pages were cut precisely to hold 4½ by 6½ cabinet card photographs. She–and I only say she because it is this she who constructs family albums today–she did not do me the favor of identifying these people.  I just have clues in the photographers’ names and studio locations.  Hairstyles and jewelry, the cut of a bodice, the width of a lapel, all hint at a timeframe.  Then, like a sleuthhound, I pick up the scent, looking through all the shoots and roots and leaves of my family tree.  Because I do believe that these men, women and children are my family.

For the next little while I will be writing about my discoveries: the mysteries solved, the wild goose chases, and the tips and tricks collected along the way. Join me as I unlock the secrets of the Minor Family Album.

1.  Provenance

2. Page One: Mr. Chin Whiskers

3. Mr. Chin Whiskers, continued

4. Pages two, three and four

 

 

The River Is Floe-ing. Spring Is Coming.

Fort Jenkins Bridge Camera and binoculars bounce on my vest-padded chest as I leave footprints in week old snow.  I am headed to the river, to watch the ice floes flow.  Here at the bend, where West Pittston says hey to Pittston, the Susqhehanna is open, ice clinging in nooks and crannies.  A dozen Buffleheads ride the current toward Wilkes-Barre. Common Merganser and Mallard pairs gather to preen or forage where the river meets beach.  A lone Bufflehead floats mid-river, his glossy black-green head turning slowly right and left. Suddenly he tips tail to sky, and plunges beneath the icy water, with barely a ripple. I take slow, deep breaths, and smell what these birds know.

Down RiverWinter is leaving.  

Spring is coming.  

We have more mud than snow, more current than ice.  Insects are hatching, snails are moving, mussles are available, fish swim closer to the surface.  Life is on the move.  

The ice is floe-ing on.

Ice floe-ing