Trio Incognito: The Minor Family Album

Sometime between 1883-1888, F. P. Morgan ushered these three people into his Uniontown (Pennsylvania) studio on Morgantown Street, and shot this cabinet card photo.  Their identity is concealed by the passage of time; their relationship to the Minor family of Green County lost in a historical fog.

Their relationship to each other, however, is clearly described in the photographer’s clever posing.

The silver-haired gentleman sits relaxed in an upholstered chair, while the woman and boy stand to his right with their arms resting on his shoulder and arm.  Their hands line up, smack dab in the middle of the frame, a visual statement–We are family.  The tableau is vintage Victorian; the husband is seated in the only chair signifying his role as patriarch and the woman is beside him as helpmeet.  Together they shelter and nurture their six(ish) year old son.

Three faces, one family.  Incognito.

Unidentified Family, cabinet card, F. P. Morgan, photographer, Uniontown, Pennsylvania, 1883-1888.  The Minor Family Album, p. 18, Author's Collection, 2014.

Unidentified Family, cabinet card, F. P. Morgan, photographer, Uniontown, Pennsylvania, 1883-1888. The Minor Family Album, p. 18, Author’s Collection, 2014.

Brother John P. Minor

 

 

John Pierson Minor, (1852-1922),

Photograph by Thomas W. Rogers, 1888-1890. From the Minor Family Album, archives of the author.

Page fifteen of the Minor Family Album holds this photograph of a middle-aged man.  Shot sometime between 1888 and 1890, this portrait is yet one more mystery.  An 1874 family photograph, however, has a person that is eerily similar to this guy, and on that bit of evidence I advance the likely identification of John Pierson Minor.

John was born seventeen years before my great-grandfather, Robert, in 1852, to Marion and Mary Jane Guynn Minor, just outside the village of Garards Fort (Pennsylvania).  Folks in the surrounding hills admired and respected the stock driving, enterprising man for whom he was named–grandpa John Pierson Minor.  And by the time this photograph was taken, young John had established his own reputation as a cattle dealer and farmer.  What is most fascinating about this artifact is what is NOT there…his wife and baby.

John P. had married Elizabeth “Lizzie” Garard (1852-1922) in 1876 and the couple remained in the Minor corridor of Ceylon Road.  Nine years passed before a son, Ary L., was born.  Perhaps this photograph is just one of a series, and the portraits of Lizzie and Ary were not included in this collection.  Or maybe those faces await me in the final pages of the Minor Album…

A Herd Is Growing In My Garden

Boldness

Hosta eating monsters. Bean stealin’ thieves. Grass mowing munchers.

Mom and Babe

 My herd of tawny darlings.

 

 

 

 

Sunshine On My Shoulder (Wing Patches) Makes Me Happy

Widow Skimmer warms in morning sun.

The morning’s light builds heat in the goldenrod field, a thicket of last year’s woody stems and this year’s giant St. John’s wort, morning glory, and lanced leaf goldenrod flowers.  A Widow Skimmer extends his wings, warming his night-chilled blood.  Soon he will bob and weave his way onward.

 

Windows To My Past

Vintage photographs lead to vintage family.  Folks that shared an historical context and proximity, whose connections of love and sorrow shaped decisions that are even now rippling through my time.

I love looking at these eyes, windows to my past, staring back into my present.

Family Portrait taken by T W Rogers, Carmichaels, Pennsylvania, circa 1874.  Standing: Sarah, John P., Olfred Minor.  Seated: Mary Jane Gwynn and Francis Marion Minor.  Standing front: Robert Minor (b. 1869) Photo recovered from Minor Home Farm circa 1965

Family Portrait taken by T W Rogers, Carmichaels, Pennsylvania, circa 1874. Standing: Sarah, John P., Olfred Minor. Seated: Mary Jane Gwynn and Francis Marion Minor. Standing front: Robert Minor (b. 1869) Photo recovered from Minor Home Farm circa 1965

Thomas W Rogers of Carmichaels, Pennsylvania took this portrait of my great-grandfather’s birth family in the mid-1870s, when Robert Minor was about six years old.  The faces of his parents bear distinctive features, which I make use of as I sleuth through other photographs.

Like now, when we turn to pages eight and nine of the Minor Family Album.

page 8 blog

Marion Minor (1828-1913) His Roman nose was a strong facial feature. His right eyelid drooped noticeably.

 

page 9 blog

Mary Jane Gwynne Minor (1829-1908) Her most striking feature were her startingly light, and probably blue, eyes.

 

The photographs are mounted on heavy cardstock, with a metallic coating–silver or gold–on the beveled, scalloped edges, a product commonly used from 1880-the early 1890s. The two appear to be in their early sixties, suggesting a portrait sitting after 1888.  The puffy fullness at the shoulder of Mary Jane’s dress narrows the timeframe to between 1889-1892.

I imagine Mary Jane and Marion starting their day with the usual farm chores, milking cows, gathering egges, lighting the stove and fixing breakfast.  Instructions would be given to Robert and the farmhands for the rest of the day’s chores, before the couple changed into their best clothes.  A horse was hitched up to the buggy and they drove out onto the “red dog” surface, heading up the hill of Ceylon Road, past the homes of siblings and children, nieces and nephews, on their seven mile trip to Carmichaels.

What was the occasion for the photographs?  A sixtieth birthday acknowledged?  Their fortieth wedding anniversary celebrated?

Whatever prompted the impulse, I am grateful that the studio appointment was kept, and that I have these eyes gazing from my past.